CONNECTEZ-VOUS À VOTRE REGROUPEMENT - Graphiste : Simon Guibord
BANDE-ANNONCE DU CQAM - Graphiste : Simon Guibord - Animation et création de la trame sonore : Jamie Muntean
LABSESSIONS #6 - CALL OF PROPOSALS - Deadline : March 6, 5 pm - Myriam Bleau at Labsessions
LES 50 ANS DE L'ART VIDÉO - 24 images
PQ ! 500 JOURS ET PROMESSE NON TENUE
10 X MINUTES VIDÉO - 10 artists celebrate the 50th anniversary of video art
FRANÇOIS DELISLE - DIRECTOR/PRODUCTOR - TOUT RESTE À FAIRE. - CQAM member - Photo credit: Philippe Gagnon
FRANC DOC - NICOLAS PAQUET - DIRECTOR - CQAM member - Par le documentaire, pour voir la beauté de nos petits mondes menacés. Photo credit: Philippe Gagnon
CLAUDINE HUBERT - OBORO GENERAL CO-DIRECTOR AND ARTISTIC DIRECTOR - CQAM member - Créer pour contribuer à une culture de paix. - Photo credit: Philippe Gagnon
SPIRAFILM - CATHERINE BENOIT - EXECUTIVE DIRECTOR - CQAM member - Photo credit: Philippe Gagnon
PROJET EVA : 10 ANS DE DÉTOURNEMENT, NUISANCE ET DÉPROGRAMMATION EN ARTS ÉLECTRONIQUES. - CQAM member - Etienne Grenier et Simon Laroche - Photo credit: Philippe Gagnon
LA COOP VIDÉO - 35 ANS DE CINÉMA INDÉPENDANT - CQAM member - Virginie Dubois - Project manager - Photo credit: Philippe Gagnon
CQAM
The Conseil québécois des arts médiatiques or CQAM was founded on June 19th 1998. Recognized by the Quebec Council for Arts and Letters (CALQ) as the dedicated media arts national service organisation in Quebec since 2003, CQAM is the only media arts advocacy organisation in Quebec welcoming professional independent artists*, cultural workers, emerging artists and artist-run centres devoted to media arts as members.
« Media arts » denotes the genre of independent artistic practices linked to information and communications technologies, in which research and experimentation are driven by formal innovation. The media arts comprise two main fields: the cinematic and digital arts, both of which may take the form of screenings, installations and/or performances.
* An independent artist maintains complete artistic and editorial control over their work through all stages of production, including the final version and receives the majority of all fees and royalties derived from the broadcast, presentation or sale of their work.
